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Mckenzie took Raven’s hand, paint-stained fingers lacing through silver rings.
The flickering neon sign outside TadpolexStudio read “OPEN 24/11/12”—a cryptic, artsy way of marking the date, November 12, 2024. Inside, the air smelled of turpentine, old paper, and something electric. Mckenzie Mae stood barefoot on the polished concrete floor, her paint-splattered overalls tied at the waist, a black tank top showing off the koi fish tattoo winding up her arm.
Raven pushed off the wall, boots silent on the floor. She stopped inches behind Mckenzie, close enough that their shoulders almost touched. “You know why I picked today. 24/11/12. Twenty-four days since we met. Eleven weeks since we kissed for the first time in the back of your van. Twelve hours until the gallery show.” TadpolexStudio 24 11 12 Mckenzie Mae And Raven ...
Mckenzie stared for a long time. Then she said, “You see me like that?”
And they didn’t.
Outside, the city hummed. Inside TadpolexStudio, on that strange date written in neon, two artists stopped calculating and started something neither could name—something that would outlast every canvas they’d ever touch.
Mckenzie’s throat tightened. She set the brush down carefully, then reached out and smudged the blue dot on Raven’s cheek with her thumb. “Show me.” Mckenzie Mae stood barefoot on the polished concrete
“Raven, you’re brooding again,” she said without turning around. She was mixing a shade of blue that didn’t exist in nature—a color between midnight and a bruise.