Lost In Space Series 1965 đ„ â
Suddenly, Lost in Space wasnât about the perils of deep space. It was about a petulant, purple-velvet-clad schemer whining, âOh, the pain⊠the pain!â while the Robinsonsâ beloved robot (voiced by Bob May, performed by a stuntman) warbled, âDanger, Will Robinson!â The show abandoned its astrophysics for pure pantomime. At its core, the series still presented a surprisingly progressive vision for 1965. Professor John Robinson (Guy Williams, the swashbuckling hero of Zorro ) was the firm but fair patriarch. His wife, Maureen (June Lockhart), was no mere space housewife; she was a biochemist and doctor, often the one actually solving the scientific problems.
More than anything, we remember the Robot and Dr. Smith. The Robotâa few boxes of blinking lights and two claw armsâbecame an icon of early AI. And Jonathan Harrisâs performance as the unapologetically evil, effete Dr. Smith remains a masterclass in comedic villainy. He is the template for every selfish, sarcastic sidekick in sci-fi that followed. The original Lost in Space is not good science fiction. Itâs not even particularly good television by modern standards. But it is, without irony, great entertainment . It is a colorful, joyous, and utterly bizarre fever dream from an era when we believed the future would be clean, bright, and full of talking robots. lost in space series 1965
September 15, 1965. The height of the Space Race. Just four months earlier, Edward White had become the first American to âwalkâ in space. The nation held its breath, dreaming of the cosmos. So, when CBS unveiled its ambitious new sci-fi series, Lost in Space , it promised adventure among the stars. What audiences got, however, was something far strangerâand far more memorable: a psychedelic, campy, and deeply dysfunctional family sitcom trapped in a spaceship. Suddenly, Lost in Space wasnât about the perils