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Necrosis was named a Top Ten Haunted House (2021, 2022, 2023, 2024) by HauntedIllinois.com. We enter our seventh season of fear in 2025 and invite you to experience our best show yet.

Necrosis will continue utilizing timed ticketing for the 2025 season to reduce wait times and improve the customer experience. Please see our ticketing page for more details.


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2024 Voter's Choice Top Ten Haunted Attracion2024 Top Ten Haunted House2023 Top 10 Haunted House2023 Top 10 Haunted House2022 Top Ten Haunted House Voter's Choice2022 Top Ten Haunted House2021 Top Ten Haunted House Voter's Choice 2021 Top Ten Haunted House

Jodi -1999 --u2013 Flac- Apr 2026

Leo listened to it nine times in a row.

He played the FLAC file for a sound engineer friend. The friend put it through a spectrogram. “Look here,” he said, pointing at a frequency spike at 19.2 kHz. “That’s not music. That’s a data ghost. Someone encoded a message in the ultrasonic range.”

Leo stared at his screen. Outside, rain began to fall on Boise. He looked at the file name again. Jodi - 1999 – FLAC. Not just a recording. A beacon.

I am not lost. I am right here. I am not lost. I am right here. Jodi -1999 --u2013 FLAC-

He started searching. “Jodi 1999 singer.” Nothing. “Jodi piano Boise.” A thousand wrong links. He spent three weeks obsessing. He posted the first ten seconds of the track to obscure music forums. A user named replied: “That’s a ‘Jodi’ from the 4-track era. Early home recording. Probably never released. She played at open mics in Portland. Vanished around 2001.”

The room felt suddenly, impossibly, full.

Leo became a detective of ghosts. He found a blurry photo from a zine: a girl with sharp cheekbones and a corded microphone, squinting against stage lights. The caption read: Jodi Holloway, La Luna, August 1999. He found an old GeoCities page dedicated to the Portland lo-fi scene. A single line: “Jodi had the saddest hands on the keys. Wherever she is, I hope she found the exit ramp.” Leo listened to it nine times in a row

Leo ran a decoder. The spectrogram resolved into a single line of text, repeated over and over in the quiet spaces between the piano notes:

No date. No location data. Just a name, a year, and a promise of lossless fidelity.

The file name was all that remained of her. “Look here,” he said, pointing at a frequency

The quality was stunning. Not polished—you could hear her fingers squeak on the piano strings, the creak of a wooden bench, a distant siren wailing three blocks away. But it was real . The FLAC codec had captured every atom of that room in 1999: the heat of the summer, the dust motes in the light, the exact way her breath hitched on the word goodbye .

He closed his laptop, walked to his piano—a dusty upright he never played—and placed his fingers on the keys. He didn’t know the song. But his hands, as if remembering something they’d never known, began to play the first chord.