James Jamerson Standing Shadows Motown Pdf 14 (2027)

This book serves as both a biography and a technical instructional manual for bassists. It includes: 49 Transcriptions

. Written by Dr. Licks (Allan Slutsky) and published in 1989, this book is the definitive resource for understanding Jamerson's revolutionary impact on the "Motown Sound". Cambridge University Press & Assessment Guide Overview & Key Content

unless they broke, believing the accumulated "funk" was essential to his sound. "The Hook"

: He played almost exclusively with just his right index finger, a technique highlighted in the guide's instructional sections. Slideshare or help finding video lessons on Jamerson's "The Hook" technique? Slideshare james jamerson standing shadows motown pdf 14

The guide you are looking for is titled Standing in the Shadows of Motown: The Life and Music of Legendary Bassist James Jamerson

To achieve the specific tone detailed in the guide, Jamerson famously used: 1962 Fender Precision Bass : Known as "The Funk Machine". La Bella Flatwound Strings : He used heavy-gauge (.052–.110) strings and famously never changed them

While the book is protected by copyright, several platforms host digital previews or full versions for research: This book serves as both a biography and

frequently list this book as a core text for bass curriculum. James Jamerson's Signature Setup

: Provides a detailed breakdown of the folio's contents, including the list of 49 transcriptions and CD details. MI Course Catalog : Educational institutions like the Musicians Institute

: It originally came with a 2-CD set (or cassette tapes) featuring legendary bassists like John Patitucci Jack Bruce Licks (Allan Slutsky) and published in 1989, this

performing Jamerson's lines to demonstrate his unique feel and phrasing. Biographical Detail

: The guide features note-for-note musical scores of Jamerson's most iconic bass lines, such as "What's Going On," "Bernadette," and "I Heard It Through the Grapevine". Star-Studded Audio

: It chronicles Jamerson's journey from playing acoustic bass in Detroit to becoming Motown's indispensable session player, often earning as much as $1,000 per week by the late 1960s. Cambridge University Press & Assessment Finding the PDF

: Multiple uploads of the document are available for viewing with a subscription or trial. FastStrings