Her final assignment for Void Magazine is a — a 20-look spread featuring avant-garde Korean designer Han Iu .

She taps the glass.

Mina’s breath catches. “This is… fake?”

Mina freezes.

And on opening night, beside a glowing image of that cyber-Hanbok model with the scarred brow, she places a small sign: “Model: My Sister, lost to illness. Photographer: Memory. AI: The mirror.” No one leaves the gallery dry-eyed.