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In the end, Halloween (2018) is a film about the inescapability of the past. Forty years later, Laurie Strode finally stopped running from the boogeyman and turned to face him. And in doing so, she reminded us why we were afraid of the dark in the first place. Because sometimes, evil doesn't die. It just waits. And on Halloween night, it comes home.
The film opens not in Haddonfield, Illinois, but in a sanitarium. Two true-crime podcasters, Aaron Korey and Dana Haines, visit Michael Myers, believing they can penetrate the mind of a man who has been silent for forty years. They fail. The moment they mention Laurie Strode, Michael shifts behind his mask, a subtle tilt of the head signaling that the ember of his evil has never died. They are dismissed.
His first kills are not spectacular; they are brutal and intimate. A gas station attendant. A father and son. He retrieves his mask from the podcasters—a beautiful, terrifying shot of him holding it up to the moonlight before pressing it back to his scarred face. He returns to Haddonfield. He goes home.
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In the end, Halloween (2018) is a film about the inescapability of the past. Forty years later, Laurie Strode finally stopped running from the boogeyman and turned to face him. And in doing so, she reminded us why we were afraid of the dark in the first place. Because sometimes, evil doesn't die. It just waits. And on Halloween night, it comes home.
The film opens not in Haddonfield, Illinois, but in a sanitarium. Two true-crime podcasters, Aaron Korey and Dana Haines, visit Michael Myers, believing they can penetrate the mind of a man who has been silent for forty years. They fail. The moment they mention Laurie Strode, Michael shifts behind his mask, a subtle tilt of the head signaling that the ember of his evil has never died. They are dismissed.
His first kills are not spectacular; they are brutal and intimate. A gas station attendant. A father and son. He retrieves his mask from the podcasters—a beautiful, terrifying shot of him holding it up to the moonlight before pressing it back to his scarred face. He returns to Haddonfield. He goes home.
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