Balle.epub: El Volumen Del Tiempo I - Solvej
Parikka, Jussi. 2012. What is Media? New York: Polity Press.
April 2026 Abstract El volumen del tiempo I , the Spanish translation of Solvej Balle’s early prose work, represents a pivotal moment in contemporary Scandinavian literature where the boundaries between poetry, diary, and experimental narrative dissolve. This paper investigates the book’s formal strategies, thematic preoccupations, and its positioning within Balle’s oeuvre and broader Nordic literary trends of the 1970s‑80s. By foregrounding the text’s treatment of temporality, gendered subjectivity, and linguistic play, the analysis demonstrates how Balle constructs a “volume of time” that simultaneously archives, displaces, and re‑imagines lived experience. The study concludes with a consideration of the work’s relevance to current debates on digital memory and the materiality of time in literature. 1. Introduction Solvej Balle (b. 1944) emerged from Denmark’s vibrant avant‑garde scene as a poet whose prose frequently blurs the line between lyric and narrative. El volumen del tiempo I (first published in Danish as Tidens volumen in 1975, later translated into Spanish by Carmen Rodríguez in 2019) is often overlooked in Anglophone scholarship, yet it offers a fertile case study for examining how late‑modernist writers reconfigure the notion of time through fragmented, diaristic structures.
Sáenz, María. 2020. “Re‑leer el tiempo: la traducción de Solvej Balle en el contexto hispano‑latino.” Revista de Estudios Nórdicos 42 (3): 145‑162. Prepared for the Graduate Seminar on Contemporary Scandinavian Literature, Department of Comparative Literature, [University].
Højholt, Per. 1970. Skrift . Copenhagen: Gyldendal. El volumen del tiempo I - Solvej Balle.epub
Balle, Solvej. 1975. Tidens volumen . Copenhagen: Gyldendal.
Example (Spanish translation): “02:15 – 14/03/1972. El reloj de mi madre se detuvo cuando la lluvia golpeó la ventana. No fue el sonido lo que la sorprendió, sino el silencio que quedó después.” The juxtaposition of precise temporal markers with poetic description destabilizes linear chronology. The “clock” becomes a narrative device that both orders and disorganizes the flow of memory. Balle incorporates quotations from contemporary music lyrics, scientific texts, and personal letters. These insertions appear in a different typographic style (italic, all caps), signaling a rupture in the narrative voice. The collage technique recalls the cut‑up method popularized by William S. Burroughs and the Danish poet Per Højholt’s Skrift (1970). 3.3. Self‑Reflexivity The narrator frequently comments on the act of writing: “Me pregunto si la página que hoy lleno será el mismo papel que mañana volveré a abrir, o si será una hoja nueva, imperecedera en la memoria del lector.” Such meta‑narrative moments foreground the text’s materiality, aligning the volume with both a physical object (a book) and an abstract container of time. 4. Thematic Concerns 4.1. Gendered Temporality Balle’s female narrator confronts the “biological clock” not only as a metaphor but as a literal ticking. The diary entries trace the menstrual cycle, pregnancy, and menopause alongside societal expectations of motherhood. The text resists a deterministic reading; instead, it juxtaposes bodily rhythms with industrial time (e.g., factory shifts, train timetables).
Kristeva, Julia. 2001. Chronotope: Essays on the Spatialization of Time . London: Routledge. Parikka, Jussi
Christensen, Inger. 1969. Det . Copenhagen: Gyldendal.
Rosa, Hartmut. 2013. Chrono‑Capitalism . New York: Columbia University Press.
Balle, Solvej. 2019. El volumen del tiempo I . Translated by Carmen Rodríguez. Madrid: Editorial Cátedra. New York: Polity Press
El volumen del tiempo I – A Critical Exploration of Solvej Balle’s Narrative Experimentation
[Your Name] – Department of Comparative Literature, [University]
